Editing a novel is very different from editing a short story. When I write a short story, I finish the first draft, get one of my writerly friends to read through it and give me some comments and critique (C&C), take what they’ve said and make some decisions about what to change, then get more C&C and make more changes. My final draft is usually my fourth draft, though sometimes it’s obvious that a piece is finished before that. It’s important to note, also, that when I say I “make some decisions about what to change,” that means that I read through the C&C and decide whether or not I think the proposed changes will actually make the story stronger. If a question makes it clear that the reader didn’t quite catch on to whatever it is I’m trying to do with the story, then I know there are things I need to change so that it’s clearer.
Well, I want to do that with my novels, but there’s a more complex (well, longer, at least) process involved here. Pointillism is the third book in a series. Tumbling is the first in the series, and Relevé is the second. Me being me, I wrote Tumbling for NaNoWriMo in 2008 and Pointillism for NaNoWriMo in 2009, and haven’t really done much beyond plotting Relevé. My series is in this state because I wrote the original first book in the series for NaNoWriMo 2006, but after writing Tumbling I realized that The Social Habits of Dolphins was really, really bad (though I love the title and want to use it someday for something else) and the characters were not as strong as they should be. So I revamped my idea for the series and began to plot Relevé (the replacement for The Social Habits of Dolphins, now the second book instead of the first)and Pointillism.
Confused yet? It doesn’t get any less confusing, trust me!
One of my friends read through Pointillism and gave me some great C&C. After I finished my read-through, I incorporated her notes with my own, and I now have a really comprehensive list of things to work on as I work on my second draft. (She read it in two days, she liked it so much; it took me longer, but I was anxious to get back to it every day because I wanted to know what happened next.)
I have sent that same friend the first draft of Tumbling. I’ve finished my first read-through and made a lot of notes. There are things in it that I need to make sure I incorporate into Pointillism and others that don’t hold up to scrutiny. And along the way, I’ve had some revelations about the main character of Relevé that have left me excited and sleep-deprived as I imagined how her story is going to go now that I know what really needs to happen to her.
But it’s NaNoEdMo this month, and I can’t wait to start editing until I receive my friend’s notes on Tumbling or have the first draft of Relevé ready to go. So what am I doing now?
Well, I like to use yWriter for my writing – novels and short stories. It’s a great free writing program that lets you organize your projects by chapter and scene (something that helps keep me organized and lets me know where I am in the story). I’ll probably write a post about how I use the program at some point, but right now I want to explain what I’m doing to Pointillism.
I am currently going through and making sure that I have characters listed for every scene. This is not a feature that I have used extensively as yet, but I am hopeful that it will help me keep my story more organized. I am also applying “items” to each scene. I put quotes around the word because I’m using the items feature to keep track of my subplots (I don’t write mysteries or high fantasy, so I don’t really have a lot of items to keep track of; YA fiction, however, does have a lot of subplots). I’m also rating the tension, humour, and romance in each scene. I’m hopeful that using these features and printing reports once I’m finished will help me see where I need to add or take away – do I need another scene for this subplot? what about changing the dialogue? is the climax too soon? – things like that.
We’ll Write You an Opera You Can’t Refuse has been on hiatus for long enough. I’m hoping that I will be able to get it finished soon. I just need to dig in and get it done! When the first draft is finally finished, I am going to reward myself by plotting out Relevé on paper. Right now it’s all in my head, and it is screaming to get out. I figure I’ll eke it out slowly, writing a bit here and a bit there, always as a reward for finishing something less appealing. My goal is to actually have all three of these novels in the same stage of editing at the same time, so they can be finished and maybe published at the same time, as well. We’ll see how that goes.